Translators – Daniela Ginsburg
Article
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Comedic Tastes as Social Relations of Class: The Example of Youth from Cultured Class Fractions [Full text]Published in Biens Symboliques / Symbolic Goods, 11 | 2022
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From the Bourgeoisie to the Life of an Artist: Crises of Succession and Anticipatory Socialization [Full text]Published in Biens Symboliques / Symbolic Goods, 10 | 2022
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“Me—I Need Paper” [Full text]Analysis of Novel Readers’ Difficult and Unequal Adoption of the Digital FormatPublished in Biens Symboliques / Symbolic Goods, 7 | 2020
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The Example of Été: Between Production Constraints and Issues of AppropriationPublished in Biens Symboliques / Symbolic Goods, 7 | 2020
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An Orchestra Faces the Test of Indeterminacy [Full text]John Tilbury and the Sans ProjectPublished in Biens Symboliques / Symbolic Goods, 8 | 2021
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Constructing Artists’ Value Through Television DramaPublished in Biens Symboliques / Symbolic Goods, 6 | 2020
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Transformations in Music Booking [Full text]Analysing Professional and Subfield Autonomy TogetherPublished in Biens Symboliques / Symbolic Goods, 4 | 2019
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The Restricted Autonomy of Journalism and Cinema [Full text]Published in Biens Symboliques / Symbolic Goods, 4 | 2019
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Negotiated Heteronomy, Group Autonomization, and Renewal of the FieldPublished in Biens Symboliques / Symbolic Goods, 4 | 2019